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Followed 2 days ago
Influenced by the likes of Hixxy, Brisk, Carl Cox, Hype and Slipmatt. Spinblitz started spinning in 1995 at the age of 14. It did not take him long to master the art of beat matching and scratching. In 2003 he studied Music Technology at City College, Manchester and began experimenting with sounds. Currently involved in a number of projects covering various genres including rave breaks, trance, hardstyle and various styles of house, Spinblitz will soon be unleashing his poison on the big wide world of underground music! Watch this space............. You can catch Spinblitz live on air polluting the airwaves every Wednesday 8-10 pm UK time and every otherMonday 7-9 pm onwww.renegaderadio.co.uk Follow Spinblitz Facebook:http://www.facebook.com/daniel.s.mcewen Mixcloud:http://www.mixcloud.com/daniel-spinblitz-mcewen/ Twitter:https://twitter.com/DanielMcEwenDJ Soundcloud:http://soundcloud.com/daniel-mcewen Feel free to contact or message anytime :)
Followed 2 days ago
Oi Oi! So, have been playing in the clubs around the south and southwest for around 11 years now, starting out back in the day with hardhouse which still remains my strongest passion but reverting from time to time to some suped up funky/disco house. featured a few times on hhuk radio and always looking for good underground events to play at. you really can not beat the crowd going wild and realising its 90% because of what you are playing and 10% because of how you are playing it. The southwest without a doubt in my mind has some of the maddest clubbers in the country Torquay probably topping them all followed by Plymouth closely! hope you lot enjoy the mixes i upload and interact as much as you like all suggestions welcomed, Keep it Rokin a Tidy Bang peeps! enjoy and will update this as often as i can.
Followed 2 days ago
DJ Cosmic Fire - Old Skool Rave DJ From the early 90's being heavily involved in the Underground Warehouse Rave Scene, I have been a natural when it comes to choosing 12" tunes & beatmixing them, to creating the emotionally charged journey for others to follow, weather it be Hard Trance, Harder House, Hard Core, Hard Style, Hard Tech, Progressive Trance, PsyTrance, Tribal Trance & PowerTrance.Having DJ Crisis as a firstly a long time friend (at the time), then as a house mate through '93, '94 & '95, plus of course a fellow promoter back in the day, allowed me 24/7 access to the art of flat out & intense beatmixing. I assisted alot with tracks selected & set arrangments of many of released CD's & Tapes as standard issue & the result being happy HartCore Ravers aplenty - this was very fullfilling indeed.I began to get serious on the decks after my involvement in the production of my last Rave in 1996 after a full blown schedule through '93, '94 & '95, co-producing 5 Mega Successful Underground Raves, plus having moved from the Northern Beaches up to the Mid Nth Coast at the time, allowed me the time to have "the time" to get busy on the decks.In 2000, I reached peak form after a long holiday in the UK where I brought back over 500 12" tunes, adding to my already vast collection of eclectic beats. I was mixing flatout everyday after work & quickly gained a solid reputation for smooth, seamless, beatmixed sets, with epic tracks from start to finish, creating a flowing journey through the chosen Genre I released. Many a DJ currently in the limelight or aspiring to be - have emulated my style, tune choice & mixing ever since.Back in those heady days of Future Acid House, Intelligent Hard Trance & the Massive UK Hard House Explosion, many 100's of each of my CD's & Tapes reached the hands of the Raving Public, with white label tunes that were at least 9mths in front of all the top line Sydney rave DJ's. These epic mixes where were on high rotation in car stereos, Home Hi-Fi Set Ups & were even played in clubs as far as New Zealand & the United Kingdom at the time.I have assembled on my audio host site, 15 Full Length High Quality CD's of which most were produced in the studio, but some are actually “live” recordings from various gigs from that corner in time. I invite you to have a listen as a raver from past, present or future & of course, if you just like Techno based music & want to add to your collection. I guarantee that you be very happy with my mixing, track selection & arrangement. Latest tracks by DJ-Cosmic-Fire _________________________________________ 1 - Pioneer DJM-600 Professional 4 Channel DJ Mixer with Integrated Sampler & Effects 2 - Technics SL1210MK2 Turntables 1 - M-Audio Avid Studio USB Direct Digital 1 - Technics SV-260A Pro DAT Recorder 10 - Full Crates of Rare 12" Thumpin' Vinyl _________________________________________ Latest tracks by DJ-Cosmic-Fire-1 The underground warehouse scene simultaneously shrunk and grewin 1993/94 after the euphorial year of 1992 & the issues surrounding Happy Valley 2.Hardcore ravers remained the cornerstone of the scene right through 1993/94 at around 1000-1500 punters attending well organised, mid sized underground parties week in, week out.. as the year rolled on through, there were the extra 3000 or so curious new bees looking for a scene to get into. Those from the western suburbs were attending alot moreplus the commercial inner city clubbers came to the larger parties of the likes of the "Prodigy series" & of course - "Colossus". The emergence of mainstream exposure did annoy most of the original hardcore ravers who had stayed true since 1992, most felt that the mystery of the underground had been violated & was now headed for sell-out status (they were right of course). The Old School rave scene reached its peak in the mid nineties (crowd-wise) with the Colossus party in 1994, with an estimated 8000 people in attendance. I am so glad to have been at most of the events spanning 1992 right through to 1996. Anyways, whilst looking for some stuff in my Pandora's boxes the other day, I came across a number of full length high quality VHS videos of some of the most memorableraves from the old school rave era. I watched "Colossus" on theweekend in amazement with my girlfriend, who was blownaway by how everyone was so happy!!I reminisced being there back then, in that magical corner of time,apart of the explosion of mainstream rave in 1994. Althoughbeing an original hardcore raver, I really enjoyed the vibe at this party & seeing so many people from all the different scenes as one. I am digitising this party for all those who are curious asto what went down at the first large scale OLD SCHOOL MEGA PARTY in 1994 – Uploading soon .... P.L.U.R. Jase.W. :-)
Followed 2 days ago
HELP! EMERGENCY! Can anybody help me out? I am a sportinstructor and ALLWAYS searching for good music. It is so hard to find, even here. I need nonstop mixes , some good funky high energy dance mixes, with great vibes that makes you wanna getup and jump. BPM from 130/135 till 150 or higher. I will be sóóóóóó grateful!!!
Followed 2 days ago
Hard House fella who dug the likes of DJ Edwin at the Beat nightclub in Bris in the late 90s, early noughties. ; Absolutely love my HH. ; Thrilled to find this site. ; Still love a good time. ; Hoping to make some new mates courtesy of this excellent site :) ;
Followed 2 days ago
German DJ since 2009 Give me a "like" @ Facebook My Setup: 2 x Denon DN-S 3700 Behringer DJX 750 pro Reloop 3500 LTD Pioneer EFX 500 Behringer MS 16 Visit my Blog www.leblog.de for more information Wanna make a booking? Just follow the link http://leblog.de/ Ihr wollt das ich auf eurer Party auflege? Einfach dem Link folgen: http://leblog.de/ ****NOTE: ALL MATERIAL IN MY SET´S ARE INTELLECTUAL PROPERTY OF ITS RESPECTED OWNERS, CORPORATIONS AND ENTITIES. THIS SET´S ARE 100% NON-PROFITABLE AND ARE SOLELY FOR PROMOTIONAL AND ENTERTAINMENT PURPOSES ONLY. I DO NOT CLAIM OWNERSHIP WHATSOEVER. IF THE PRODUCER/RECORD LABEL OR IF ANYONE HAS A PROBLEM WITH THIS SET´S, PLEASE LET ME KNOW FIRST AND I WILL DELETE THE SET´S IMMEDIATELY. NO COPYRIGHT INFRINGEMENT INTENDED. IF YOU LIKE THE SONG(S) IN THIS SET´S, THEN PLEASE SUPPORT THE ARTIST(S) BY BUYING THEIR MATERIAL. THANK YOU**** "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use".
Followed 2 days ago
